|
Film Reviews from Film
Quarterly
Adaptation
Fall 2004 p. 36
|
Affliction Spring 2002 p. 45 |
 |
|
American Beauty Winter 2001-01 p. 46 |
 |
|
American Psycho Winter 2000-2001 p. 40
|
 |
Beholding blood sacrifice in the Passion of the
Christ: How real is movie violence? Summer 2006 p.
11
The Blair Witch Project: Film and the Internet
Spring 2001 p. 32
Boys Don’t Cry Spring 2001 p. 47
|
Brokeback Mountain Special Feature Spring 2007 p.
22 |
 |
Casino Spring 1996 p. 43
|
Eyes wide shut Spring 2000 p. 41 |
 |
Fargo Spring 1996 p. 31
|
Goodfellas Spring 1991 p. 43 |
 |
|
Henry & June Winter 1991-1992 p. 32 |
 |
|
Jungle Fever Winter 1991-1992 p. 37 |
 |
Kinsey Spring 2005 p. 43
Leaving Las Vegas Summer 1996 p. 38
|
Life is beautiful: Reception, Allegory, and Holocaust
laughter Fall 1999 p. 26 |
 |
Lost in Translation Fall 2005 p. 45
|
The Madness of King George Spring 1996 p. 46
|
 |
The Many Faces of Thelma and Louise Winter
1991-1992 p. 20
|
Monster’s Ball Spring 2002 p. 44 |
 |
|
Moulin Rouge Spring 2002 p. 52 |
 |
The Piano Spring 1994 p. 48
|
Saving Private Ryan Fall 1999 p. 39 |
 |
|
Sexing the Crying Game: Difference, Identity, Ethics
Spring 1994 p. 31 |
 |
|
The Thin Red Line Fall 1999 p. 35 |
 |
|
True Lies: Perceptual realism, digital images, and
film theory Spring 1996 p. 27
|
 |
|
21 Grams Spring 2005 p. 53 |
 |
|
Volver Spring 2007 p. 4 |
 |
Updated
05/03/2007
|
