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Eye-catching photography featured at Daniel Webster
College
MICHAELINE DELLA FERA, Telegraph
Correspondent
Published: Sunday,
Sep. 25, 2005

“Resting”
will be included in an exhibit of photos by
Greta Jaklitsch at Daniel Webster College from
Oct. 1-Nov. 1. |
Greta
Jaklitsch began taking photos when her son was young.
“I wanted to document his life,” she said.
What started out as a hobby and a favorite pastime is
gradually turning Jaklitsch into an award-winning
photographer.
Jaklitsch will exhibit 41 of her favorite photos at the
Eaton-Richmond Gallery on the campus of Daniel Webster
College from Oct. 1-Nov. 1. While Jaklitsch’s main love
is nature, especially trees and animals, she photographs
“whatever catches my eye,” she said.
Jaklitsch’s favorite photo in her Daniel Webster exhibit
is titled “Resting.” She was walking in the park near
her home and spotted a turtle resting on a rock in the
middle of a pond.
“I just hoped the turtle wouldn’t move,” she said.
Jaklitsch had only one photo left on her roll. She
thought the resting turtle reminds all of us to stop,
rest and look around to appreciate the serenity of
nature.
Also included in the exhibit will be three photos
involving flight, all taken while she was on an
airplane. Jaklitsch calls the trio “Propulsion’s
Immortal Energies.” The first is a shot of a propeller
taken while she was flying to an island for a vacation.
“I hate propeller planes,” she said.
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IF YOU GO |
For more information about Greta
Jaklitsch’s exhibit, call
Annette Kurman, director of
public relations at Daniel
Webster College, at 577-6625.
A reception, which is open to
the public, will be from 6-8
p.m. Sept. 30 at the
Eaton-Richmond Gallery. |
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Jaklitsch said she wasn’t
happy about being on the plane. She looked out her
window and realized her seat was right over the
propeller. She immediately grabbed her camera – she
always carries at least one with her.
The other two photos are hazy blurs of propellers. One
was exhibited at Town Hall in Flushing, N.Y., and became
the front page of Newsday.
“I got
the biggest bang out of it,” she said, smiling.
Also in the exhibit will be a photo of the New York
skyline. It was only afterward that Jaklitsch realized
her shot included the Twin Towers – probably one of the
last photos taken of them.
Jaklitsch also said, “I hope people like snow,” because
she’s bringing several shots of snow in New York to the
exhibit.
“I go out in any weather,” she said. “If you don’t catch
the moment when the opportunity is there, there is no
going back.”
She adds there’s no guarantee that the setting will ever
be the same. She’s known for shouting, “Stop the car!”
when she sees the perfect photo opportunity. Nothing is
safe when Jaklitsch and her camera are around. She uses
point-and-shoot cameras.
“I use these because I take so many pictures, I wear
them out quickly,” she said.
Jaklitsch immigrated to the United States in 1959 as a
teenager when her parents realized there wasn’t a future
for them in Austria. It was a difficult time for the
13-year-old to leave her friends and country.
“My whole class came to the train station to say goodbye
to me,” she reminisced.
In 2002, Jaklitsch began to take her photography
seriously and to a new level. She began exhibiting
because her family and friends told her constantly that
her photos were extraordinary and had captured “that
certain something.”
After 30 years of photographing, Jaklitsch has just
started taking classes.
“I do everything backwards,” she says.
But Jaklitsch is taking classes “to improve my photos,”
she said. “It’s important to always get better.”
She considers herself “just lucky” when it comes to her
photos.
This exhibit is Jaklitsch’s first outside New York.
“I’m excited about coming to New Hampshire,” she said.
She has been to New Hampshire three times and has yet to
capture a shot of the elusive moose.
For more information about Greta Jaklitsch’s exhibit,
call Annette Kurman, director of public relations at
Daniel Webster College, at 577-6625.
A reception, which is open to the public, will be from
6-8 p.m. Sept. 30 at the Eaton-Richmond Gallery.
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